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| Title<\/th>\n | El asedio animal<\/td>\n<\/tr>\n |
|---|---|
| Author<\/th>\n | Londo\u00f1o, Vanessa<\/td>\n<\/tr>\n |
| Publisher<\/th>\n | Almad\u00eda Ediciones, S. A. P. I. de C. V.<\/td>\n<\/tr>\n |
| Imprint<\/th>\n | Almadia<\/td>\n<\/tr>\n |
| ISBN<\/th>\n | 9786078764471<\/td>\n<\/tr>\n |
| Edition number<\/th>\n | 1<\/td>\n<\/tr>\n |
| Publication year<\/th>\n | 2021<\/td>\n<\/tr>\n |
| Pages<\/th>\n | 112<\/td>\n<\/tr>\n |
| Format<\/th>\n | Printed<\/td>\n<\/tr>\n |
| THEMA<\/th>\n | Fiction and Related items<\/td>\n<\/tr>\n |
| Synopsis<\/th>\n | In Hukum\u00e9iji, a town located in the north of Colombia, near the Don Diego River and the Caribbean Sea, the characters in the four stories that make up this novel are stripped of parts of their body\u2014their tongue, hands, legs, eyes\u2014they suffer the death of their loved ones, and they have even been stripped of their land or crops; that is, they suffer the mutilation of the different parts that make them up. Thus, the body becomes a system to explain loss, so that the author weaves a writing that embodies the pain and ravages of violence exercised by power anywhere in the world. Likewise, nature\u2014present in the stories through the jungle, plants, crops, or torrential rains\u2014links human bodies with the territory: violence is executed on bodies and land in an analogous way. If, as journalist Ana Teresa Toro says, in Latin America \u201cthe body makes culture, the body thinks, articulates and gestures ideas, manifests history in a forceful way, it is not a mere consumer or a product, it is an idea and a concept\u201d, El asedio animal participates in the current conversation that links, for example, the struggles of women and indigenous peoples with the care of the land and the protection of natural resources, as part of the same process that considers bodies \u2013 individual, collective, natural \u2013 as territories of resistance against an economic system that seeks to manage life, death, flesh and its desires.<\/td>\n<\/tr>\n |
| foreign rights contact<\/th>\n | Elizabet Osorio Osorio<\/td>\n<\/tr>\n |
| E-mail<\/th>\n | eosorio@corporativoventura.mx<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/p>","protected":false},"featured_media":2592,"template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":""},"product_cat":[94],"product_tag":[],"_links":{"self":[{"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/product\/2591"}],"collection":[{"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/types\/product"}],"version-history":[{"count":1,"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/product\/2591\/revisions"}],"predecessor-version":[{"id":2593,"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/product\/2591\/revisions\/2593"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/media\/2592"}],"wp:attachment":[{"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/media?parent=2591"}],"wp:term":[{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/product_cat?post=2591"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/product_tag?post=2591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} |