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| Title<\/th>\n | Prosas de guerra y esperanza: Efra\u00edn Huerta en \u201cEl Popular\u201d (1939-1944)<\/td>\n<\/tr>\n |
|---|---|
| Author<\/th>\n | Ugalde Quintana, Sergio<\/td>\n<\/tr>\n |
| Publisher<\/th>\n | Almad\u00eda Ediciones, S. A. P. I. de C. V.<\/td>\n<\/tr>\n |
| Imprint<\/th>\n | Almadia<\/td>\n<\/tr>\n |
| ISBN<\/th>\n | 9786078667437<\/td>\n<\/tr>\n |
| Edition number<\/th>\n | 1<\/td>\n<\/tr>\n |
| Publication year<\/th>\n | 2020<\/td>\n<\/tr>\n |
| Pages<\/th>\n | 592<\/td>\n<\/tr>\n |
| Format<\/th>\n | Printed<\/td>\n<\/tr>\n |
| THEMA<\/th>\n | Fiction and Related items<\/td>\n<\/tr>\n |
| Synopsis<\/th>\n | During the years when the threat of the extreme right was taking on a global scope, the public scene in Mexico was disputed between the progressive faction affiliated with the government of L\u00e1zaro C\u00e1rdenas del R\u00edo and a reaction that opposed his policies and did not hide the sympathy that the fascist regimes of Europe inspired in it. In accordance with the demands of the times, the young poet Efra\u00edn Huerta did not hesitate to appeal to a \u201cmoral, psychological and aesthetic\u201d definition of the artist or the intellectual. It is not surprising, then, the combative tone of many of his contributions to the newspaper that the Cardenistas founded to counteract the attacks that the media conglomerates launched against his government: El Popular. In the not inconsiderable universe of these spaces, until now forgotten by literary historiography and which are presented in this necessary volume, the different facets of a fundamental trajectory for Mexican letters can be read. Although it would seem that political commentary was the main driving force behind Huerta's pen in these columns, they also have room for a diverse spectrum of registers and interests: popular speech, urban spaces, literary reviews, among others. Of all the scenarios outlined in Huerta's more than one thousand one hundred contributions to El Popular, two stand out for their centrality: on the one hand, the political denunciation of world and Mexican fascism; on the other, the response of poetry - and of literature and art in general - to this overwhelming reality.<\/td>\n<\/tr>\n |
| foreign rights contact<\/th>\n | Elizabet Osorio Osorio<\/td>\n<\/tr>\n |
| E-mail<\/th>\n | eosorio@corporativoventura.mx<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/p>","protected":false},"featured_media":2498,"template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":""},"product_cat":[94],"product_tag":[],"_links":{"self":[{"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/product\/2497"}],"collection":[{"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/types\/product"}],"version-history":[{"count":1,"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/product\/2497\/revisions"}],"predecessor-version":[{"id":2499,"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/product\/2497\/revisions\/2499"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/media\/2498"}],"wp:attachment":[{"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/media?parent=2497"}],"wp:term":[{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/product_cat?post=2497"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/product_tag?post=2497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} |