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| Title<\/th>\n | Malversaciones<\/td>\n<\/tr>\n |
|---|---|
| Author<\/th>\n | Bravo Varela, Hern\u00e1n<\/td>\n<\/tr>\n |
| Publisher<\/th>\n | Almad\u00eda Ediciones, S. A. P. I. de C. V.<\/td>\n<\/tr>\n |
| Imprint<\/th>\n | Almadia<\/td>\n<\/tr>\n |
| ISBN<\/th>\n | 9786078667086<\/td>\n<\/tr>\n |
| Edition number<\/th>\n | 1<\/td>\n<\/tr>\n |
| Publication year<\/th>\n | 2019<\/td>\n<\/tr>\n |
| Pages<\/th>\n | 144<\/td>\n<\/tr>\n |
| Format<\/th>\n | Printed<\/td>\n<\/tr>\n |
| THEMA<\/th>\n | Fiction and Related items<\/td>\n<\/tr>\n |
| Synopsis<\/th>\n | The least that can be demanded of an essayist is ingenuity in constructing analogies, elegant memory, a significant arsenal of references that are not entirely outlandish, although they are of an unexpected mold, and, crowning it all, an educated lust for prose. Hern\u00e1n Bravo Varela conquered these virtues from his youthful writing. Now, with Malversaciones, he gives us eighteen essays of early maturity where the joy of the boy and the disenchantment of experience alternate and caress each other until they merge into a single and delicious breath, a drift that draws from the prose poem as well as from anecdotes, erudition, the little note in verse, literary criticism and the chronicle. Divided into four sections \u2013 Mexican poets; foreign authors; places and themes and practices of the poetic; The most beautiful final reflection on the ethos, praxis and politics of art, Malversaciones weaves a praise of deviation and madness, of the staging of corruptibility as a possible refuge for human descendants, of the cry as song and reflection, of hubris and cowardice as practices of the sublime, and it does not shy away from either the elegiac rage at the murder of the poet Guillermo Fern\u00e1ndez or the self-parodic tenderness of a failed poetic-terrorist-adolescent attack against Jaime Sabines. It does all this, moreover, as an exhalation: a brief succession of lashes of lucidity, a \u2013these are the author\u2019s words\u2013 \u201cpatrimonial declaration\u201d, a sort of freehand self-portrait of the reader as prince and beggar of the world. JULI\u00c1N HERBERT<\/td>\n<\/tr>\n |
| foreign rights contact<\/th>\n | Elizabet Osorio Osorio<\/td>\n<\/tr>\n |
| E-mail<\/th>\n | eosorio@corporativoventura.mx<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/p>","protected":false},"featured_media":2456,"template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":""},"product_cat":[94],"product_tag":[],"_links":{"self":[{"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/product\/2455"}],"collection":[{"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/types\/product"}],"version-history":[{"count":1,"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/product\/2455\/revisions"}],"predecessor-version":[{"id":2457,"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/product\/2455\/revisions\/2457"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/media\/2456"}],"wp:attachment":[{"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/media?parent=2455"}],"wp:term":[{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/product_cat?post=2455"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.caniem.org\/catalogo-venta-derechos\/en\/wp-json\/wp\/v2\/product_tag?post=2455"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} |